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Vocal Articles from New York Vocal Coaching brings you information and tips on singing, performing, auditioning, and more, all from our world-renowned staff in New York City.

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Start with Experience: A Simpler Way into Resonance

In this article, Zac explains that resonance is easier to understand when singers experience it practically before learning the theory behind it.

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Getting Lost In The Sauce: Practicing Songs

In this article, Andy argues that singers must practice full songs—not just exercises—to translate technique into real performance.

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NYVC Singer Spotlight: Kamilah

Kamilah is a singer, producer, and multidisciplinary artist whose journey from the Bahamas to global stages has been shaped by a deep love of…

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Start with Experience: A Simpler Way into Resonance

In this article, Zac explains that resonance is easier to understand when singers experience it practically before learning the theory behind it.

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Recording Your Lessons: Do I Have To?

In this article, Andy King discusses the benefits of recording your voice lessons and developing the skill of listening to yourself in recording.

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Signs That You Might Be Vocally Fatigued

The voice is the only instrument that is apart the human body (unless you count clapping your hands as percussion!!). So it makes sense that the instrument is the entire body, not just the larynx alone. Everything from body alignment, respiratory system, the larynx, vocal tract, not to mention the brain are involved in this high level athletic coordination!

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How to Practice Singing Part IV: Creating a Practice Habit that Sticks!

In part IV of the "How To Practice Singing" series, I discuss practical ways of creating practice habits for singing that promote consistency by applying the four laws for behavior change to our work.

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How to Find Your Key Part I: What is a Key?

In part one of the series "How to Find Your Key", Tim Rosser discusses how changing the key of a song may drastically change a singer's comfort level and explores the nuance of choosing the right key.

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What Does an Arranger Actually Do?

In this article, Tim explains how arrangers adapt music for performers and contexts, distinguishing their role from music directors, orchestrators, and producers.

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Confronting Unhelpful Self-Judgement

In this article, Tim outlines a clear three-step tool to help singers interrupt negative self-talk and refocus on constructive, goal-oriented practice.

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How to Get a Gig: A Beginner's Guide

Your voice lessons are going great, you sound fantastic and are ready to take things to the next level. What’s the process?

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Should Every Singer Take Classical Voice Lessons?

How important is classical voice training to the vocal development of non-classical singers? In this article, I will take a deep dive into my own experiences working with a classical voice teacher and how it impacted my ability to sing different styles of music.

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