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Vocal Articles from New York Vocal Coaching brings you information and tips on singing, performing, auditioning, and more, all from our world-renowned staff in New York City.

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Latest Articles

The Many Hats of Musical Theatre: Understanding Common Casting Tracks

In this article, Bryan breaks down common musical theatre casting tracks and clarifies what each role entails for performers.

Confronting Unhelpful Self-Judgement

In this article, Tim outlines a clear three-step tool to help singers interrupt negative self-talk and refocus on constructive, goal-oriented practice.

Feeling the Rhythm!

In this article, Abby Payne breaks down the concept of rhythm in songs and discusses how singers can get better at feeling the rhythm when singing.

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What Does an Arranger Actually Do?

In this article, Tim explains how arrangers adapt music for performers and contexts, distinguishing their role from music directors, orchestrators, and producers.

How to Find Your Key Part III: Points of Consideration

In Part III of the series How to Find Your Key, Tim Rosser lists various important points of consideration when choosing your key for a song based on a singer's learning and artistic goals along with logistical limitations.

3 Singing Principles I Wish I Had Known When Starting Out!

In this article, Zac shares three key lessons—setting up "money" notes, using exaggeration to find balance, and letting all vocal systems share the load—to help singers unlock freer, more joyful expression.

How To Practice Singing Part V: Make Practice Habits Attractive!

In Part V of the How To Practice Singing series, Zac Bradford uses inspiration from James Clear to explore the idea of making practice habits attractive and irresistible to singers through the principle of temptation bundling.

Practicing in Your Car: Making the Most of It

In this article, Zac outlines the benefits and limitations of practicing singing in the car and explains how to use this method safely and effectively for light vocal work.

Signs That You Might Be Vocally Fatigued

The voice is the only instrument that is apart the human body (unless you count clapping your hands as percussion!!). So it makes sense that the instrument is the entire body, not just the larynx alone. Everything from body alignment, respiratory system, the larynx, vocal tract, not to mention the brain are involved in this high level athletic coordination!

Reducing Constriction in Singing: Energy Economics

In this article, Bryan looks through the lens of energy economics to explore why singers sometimes constrict their voices when they sing.

Should Every Singer Take Classical Voice Lessons?

How important is classical voice training to the vocal development of non-classical singers? In this article, I will take a deep dive into my own experiences working with a classical voice teacher and how it impacted my ability to sing different styles of music.

Singing Is For Everyone Part II: The WHAT and HOW of Singing

In Part II of Andy's "Singing Is For Everyone" series, Andy interviews his students about WHAT they’ve gained from lessons and HOW they achieved those gains with Andy.